Wednesday, February 24, 2021

Work in Progress

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A few days ago I read about an artist who scans their sketches into a computer, and then adds color digitally. It apparently takes them a couple of hours to fully add color. The artist learned this technique in art school (college). I know this method is commonplace nowadays, and I was actually jealous... for a few moments. 

My process starts with wetting and stretching Arches hot press watercolor paper (140 lb.) onto a board, one of several boards that I have used too many times to count. This beginning is almost spiritual, like I am communing with the paper and the possibilities that lay before us both. (In case you are wondering, I too learned my method in art college.) On drawing paper, I sketch my ideas in graphite pencil and then transfer the drawing onto the (now dry) Arches paper. My 'adding color' involves days... even weeks of painting in watercolor.  My process slowly takes form through the layering of paint in a 'dry brush' fashion. Along the way this can be a give and take, sometimes removing paint to the extent it's possible with watercolor. Ideally, I have a few paintings to work on simultaneously. I find my paintings need to sit and have 'a peaceful time out' while I contemplate another painting. I can then return to each in turn with 'fresh eyes'. It works. It takes a long time. I listen to classical music and books on my phone. It's a good life. What pulls me from my work? My dog. 
 

View from my studio, February 2021